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William Karl Valentine

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New Avedon, Cunningham, and Friedlander books I bought in March while at the Phoenix Art Museum.

New Library Additions - Avedon, Cunningham, and Friedlander

May 9, 2023

When I visited the Phoenix Art Museum in March, I decided to buy a membership instead of just a single admission. I like to have memberships at museums I want to support even if they aren’t local. One benefit of that is a discount in the Museum Shop which I used to add three more titles to my library. I encourage anyone interested in these titles to purchase from the museum shop to help support the Phoenix Art Museum.

Richard Avedon - Relationships

Released in conjunction with Avedon’s 2022 retrospective exhibition in Milan, this book was published by Skira Publishers in Italy and edited by the Center for Creative Photography’s Rebecca Senf. The book is beautiful, it was printed and bound in Italy and the edit is outstanding. It was nice to finally get a signed copy of one of Becky’s books, I still need to get my copy of her Ansel Adams book, Making a Photographer: The Early Work of Ansel Adams autographed. The Center for Creative Photography houses Avedon’s archives and Becky was also involved with curating the exhibition as well as editing this book. You can see examples of the images in the book on Avedon's website.

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Bill Cunningham -

Published by the New York Times in 2019 this retrospective of Bill Cunningham’s fifty-year career is a nice document of fashion during that time. Bill was a fashion columnist and photographer who worked for the New York Times. What I love about this book is all of these images were taken on the street, these photographs aren’t of models on a runway, they are all of people on the street. It is a better documentation of what fashion really was because it accurately shows what people were wearing during this period. Bill Cunningham referred to himself as a Fashion Historian more than a photographer. I agree with him 100% on his title but I also acknowledge he made interesting images and is more than worthy to also be called a photographer. Bill’s work is about the fashion not the frame or the interaction, but in this format it absolutely works. I wasn’t familiar with his work before seeing the exhibition Fashioning Self: The Photography of Everyday Expression at the Phoenix Art Museum but it was a perfect fit, and I purchased the book because I enjoyed how it was a different approach to document people on the street. If you are a fan of fashion photography you need to add this to your library.

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Lee Friedlander - Prayer Pilgrimage for Freedom

This very unique book, published in 2015 by Eakins Press, only documents the events of one day, May 17th, 1957 when Dr. Martin Luther King spoke at the Lincoln Memorial in Washington DC during the Prayer Pilgrimage for Freedom. I wrongly first assumed this book documented the famed day when King gave his “I Have a Dream” speech but that would not occur until 1963. I researched the events and learned the Prayer Pilgrimage for Freedom was actually the first time Martin Luther King addressed a national audience. It makes sense now why photographs of Dr. King were not more prominent in the book since he was the last speaker of the day. The book is an outstanding document plus Friedlander’s photographic style is amazing, I always love looking at his images. I found it ironic I discovered this book a couple months before Fraenkel Gallery’s Friedlander exhibition opened this past weekend. The most incredible thing is Friedlander was 22 years old when he photographed the event. The book is a nice reference point to examine how Friedlander’s vision and career developed. He obviously knew early on how to be at the right place at the right time.

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One more shout out to the wonderful people at the Phoenix Art Museum and their Museum Store, please purchase directly from them if you want any of these titles.

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In Museums, Photography, Photography Books, Street Photography Tags Phoenix Art Museum, Phoenix, Photography Book, Documentary Photography, Lee Friedlander, Richard Avedon, Bill Cunningham, Becky Senf, Fraenkel Gallery, Eakins Press Foundation, Prayer Pilgrimage for Peace, Slate
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Center for Creative Photography - Tour of Facilities - LIGHT symposium

March 1, 2020

On January 17th, Prior to The Legacies of LIGHT Symposium officially starting, attendees of the symposium were allowed the unique opportunity to take a behind the scenes tour of the Center for Creative Photography. The tour lasted about an hour and was fantastic. I always find “behind the scene tours” interesting, which this tour truly was, but with this one I also learned some things which should help me as a photographer with archiving my work. The primary reason I found this tour so enjoyable was the staff. Anne Breckenridge Barrett and Becky Senf have assembled a team at the CCP which is as world class as the facility and its holdings. Staff members are experts in their fields, they are passionate about what they do, and they enjoy sharing their knowledge with others. My tour was one of the last groups of the day and everyone on staff was still motivated to share their different worlds with us.

I think the best approach for me to share what this experience was like is to just post a series of galleries of each area we visited then briefly describe what I saw.

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The first stop on the tour was the room where curators layout and plan exhibitions. I didn’t get the official name down, as you can see it is basically a narrow room about 50 feet long with tables and ledges to lay out work. The room is secure so a curator can spend as many days as she or he wants assembling an exhibition without having to worry about putting artwork away each night. The lighting was obviously perfect with plenty of room to experience the sequencing of images for any project.

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Dana Hemmenway is the Arthur J. Bell Senior Photography Conservator at the CCP and her area of expertise is fascinating. She had selected several examples of acid contamination to prints and explained how they work to protect the assets of the CCP. In the images above with the large light table she explained how they can recover image information from badly damaged negatives to allow quality prints to be made from those negatives. The last two images above show badly damaged Extachrome slides from David Hume Kennerly’s 1979 series “Drug Trade” which documented the war on drugs at the time from the point of origin in South and Central America. In the fall of 2019 the CCP acquired David Hume Kennerly’s archives including these slides. These Extachrome slides had been processed in the region where he had been photographing and years later developed these unique crystals on the emulsion making the images almost unrecognizable and completely unusable. Hemmenway and the CCP is currently conducting experiments to identify the cause of the crystals and how to recover the images.

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Although the CCP does not house Richard Avedon’s entire archive they do have a massive print archive of his work with a dedicated space and archivist specifically for his prints at CCP. I have seen his large prints in exhibition before so the large flat files to house the work did not surprise me but I was still in awe of those drawers. This is a room very few get to see, I was happy we got to look in.

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If I remember this correctly the Archivist space for the CCP’s Digital Initiatives section is currently located off of the CCP’s library but they are getting a new larger work space with more dedicated equipment. In December, at the opening of LIGHT, I had a fantastic conversation with Associate Archivist for Digital Initiatives Emily Una. Weirich , who detailed how they are digitally preserving the Center’s archives and preserving images originally created in digital media. The Digital Initiatives section can handle almost any type of artwork and its staff is helping to establish modern standards for archiving digital imagery. I find the subject fascinating as well as important for me to understand as I work to properly maintain my own files.

I think the CCP’s library is still working to fill out it’s collection. They have some fantastic historic books and periodicals and their collection is decent size.

I did find two things in the library that I absolutely loved. One was a Winogrand 1964 book still in its shrink wrap, love that someone hasn’t gotten to that because I also have a book or two on my shelf which is still in shrink wrap. The other was a small framed announcement for the Witkin Gallery’s 1975 Sixth Anniversary Exhibition which was shoved back up on a shelf under the fire alarm. I assume it is an original poster, loved where it was being stored, the fact the exhibition was only five weeks long, and that the image they used for it was Stieglitz’s iconic “Steerage”.

Great tour and I am sure we probably were just scrapping the surface of all they have at this premiere institution.




In Museums Tags The Center for Creative Photography, Tucson, The University of Arizona, Fine Art Photography, Dana Hemmenway, Photography Conservator, David Hume Kennerly, Richard Avedon, Anne Breckenridge Barrett, Becky Senf, Emily Una Weirich, Alfred Stieglitz, The Steerage
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