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William Karl Valentine

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Liz Allen working on her “hand” print for the book

Liz Allen working on her “hand” print for the book

Interactive component of the Qualities of LIGHT exhibition at the CCP

March 4, 2020

An important component of the Qualities of LIGHT exhibition is the interactive element. I focused on it some in my initial post about the opening. Since there was more activity during the symposium I documented it and felt it worked best to highlight it again in a separate post.

View fullsize Camilla Stevenson
View fullsize Camilla Stevenson
View fullsize Camilla Stevenson
View fullsize Web 1-17 to 19-20 CCP - 4 Legacies of LIGHT 6.jpg
View fullsize Web 1-17 to 19-20 CCP - 4 Legacies of LIGHT 7.jpg
View fullsize David Ragland
View fullsize Web 1-17 to 19-20 CCP - 5 Legacies of LIGHT 5.jpg
View fullsize Web 1-17 to 19-20 CCP - 5 Legacies of LIGHT 6.jpg
View fullsize Web 1-17 to 19-20 CCP - 5 Legacies of LIGHT 7.jpg

So again there were basically three interactive elements people could do. First was someone could have their photograph taken at a replica of Harold Jone’s LIGHT gallery desk by CCP’s David Ragland. Next you could sketch your hand to create a drawing to be bound in a book at the conclusion of the exhibition. LIGHT gallery did this at one point and the CCP was recreating that. CCP’s Camilla Stevenson was in charge of getting people to participate with this at the symposium and added a component by taking instant photographs of people to be included in the book with their hand sketches. I pushed the envelope with my sketch using my left had to sketch my right hand (most hand sketches were of left hands), then I had Camilla sign the instant print she took of me so she could lay claim to having a print in the exhibition then . The final station was where you could draw your own personal line map connecting yourself back to LIGHT gallery. I had completed my line map in December and after the symposium I could have added a lot more connections. I brought home a blank sheet so I will probably eventually update a copy for myself. All completed maps were pinned to the back wall of the interactive space to be shared. All three elements were fun and I especially loved the process of the line map.

In Museums, Photography, Galleries Tags #Light2020, The Center for Creative Photography, LIGHT gallery, Becky Senf, William Karl Valentine, Tucson, Arizona, Adam Monohon
← The Legacies of LIGHT symposium - The Center for Creative PhotographyMarvin Heiferman & Laurence Miller - The Qualities of LIGHT →
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