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William Karl Valentine

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Liz Allen working on her “hand” print for the book

Liz Allen working on her “hand” print for the book

Interactive component of the Qualities of LIGHT exhibition at the CCP

March 4, 2020

An important component of the Qualities of LIGHT exhibition is the interactive element. I focused on it some in my initial post about the opening. Since there was more activity during the symposium I documented it and felt it worked best to highlight it again in a separate post.

View fullsize Camilla Stevenson
View fullsize Camilla Stevenson
View fullsize Camilla Stevenson
View fullsize Web 1-17 to 19-20 CCP - 4 Legacies of LIGHT 6.jpg
View fullsize Web 1-17 to 19-20 CCP - 4 Legacies of LIGHT 7.jpg
View fullsize David Ragland
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View fullsize Web 1-17 to 19-20 CCP - 5 Legacies of LIGHT 6.jpg
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So again there were basically three interactive elements people could do. First was someone could have their photograph taken at a replica of Harold Jone’s LIGHT gallery desk by CCP’s David Ragland. Next you could sketch your hand to create a drawing to be bound in a book at the conclusion of the exhibition. LIGHT gallery did this at one point and the CCP was recreating that. CCP’s Camilla Stevenson was in charge of getting people to participate with this at the symposium and added a component by taking instant photographs of people to be included in the book with their hand sketches. I pushed the envelope with my sketch using my left had to sketch my right hand (most hand sketches were of left hands), then I had Camilla sign the instant print she took of me so she could lay claim to having a print in the exhibition then . The final station was where you could draw your own personal line map connecting yourself back to LIGHT gallery. I had completed my line map in December and after the symposium I could have added a lot more connections. I brought home a blank sheet so I will probably eventually update a copy for myself. All completed maps were pinned to the back wall of the interactive space to be shared. All three elements were fun and I especially loved the process of the line map.

In Museums, Photography, Galleries Tags #Light2020, The Center for Creative Photography, LIGHT gallery, Becky Senf, William Karl Valentine, Tucson, Arizona, Adam Monohon
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Dr. Rebecca Senf - Chief Curator at the Center for Creative Photography and the Norton Family Curator of Photography and photographer William Karl Valentine

Dr. Rebecca Senf - Chief Curator at the Center for Creative Photography and the Norton Family Curator of Photography and photographer William Karl Valentine

Qualities of LIGHT Exhibition - Center for Creative Photography OPENING

January 15, 2020

On December 13th I drove out to Tucson for the opening of The Qualities of LIGHT Exhibition at the Center for Creative Photography at the University of Arizona.

In my previous blog post I spoke about having a print selected to be included in this exhibition and I wrote about the history of that image. I also spoke about the concept for the exhibition which is to show the importance of The LIGHT Gallery and its impact on the development of Photography as an accepted art form. The CCP exhibition does a fantastic job capturing the spirit of the LIGHT Gallery and documenting LIGHT’s history. One thing LIGHT was famous for was showcasing work from emerging photographers. My print was included in this exhibition as an emerging photographer. My print, along with 120 other prints from other emerging photographers, is on display in one of four large flat files in the middle of the gallery. The concept is that people who view the exhibition can explore the drawers and make their own discoveries. There is also an interactive area where visitors can map their own association with the LIGHT Gallery or others who were influenced by LIGHT. There are also a number of historic artifacts from LIGHT to help recreate the gallery atmosphere.

View fullsize web AZ IMG 2661  12-18-19 CCP - Qualities of Light.jpg
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View fullsize web AZ DSC 1268 12-18-19 CCP - Qualities of LIGHT Becky Senf  .jpg
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Below is my print and the accompanying artist statement information. This is a digital print from a negative scan which is archivally mounted.

View fullsize Meg Hagyard -CCP Senior Director for External Relations, Arts, Culture & Heritage
View fullsize web AZ DSC 1275  12-18-19 CCP - Qualities of LIGHT.jpg
View fullsize web AZ DSC 1277 12-18-19 CCP - Qualities of LIGHT William Karl Valentine.jpg
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View fullsize web AZ IMG 2691  12-18-19 CCP - Qualities of LIGHT.jpg
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CCP Director Anne Breckenridge Barrett and CCP Chief Curator Dr. Rebecca Senf speak at the Members opening of the exhibition. I also got meet CCP Curatorial Assistant Adam Monohon and CCP Archivist Emily Una Weirich. Everyone I met was fantastic and I am looking forward seeing them again at this weekend’s sold out LIGHT symposium.

View fullsize Anne Breckenridge Barrett - Director CCP
View fullsize Becky Senf - Chief Curator CCP
View fullsize Becky Senf - Chief Curator CCP
View fullsize Anne Breckenridge Barrett and Curatorial Assistant Adam Monohon
View fullsize Anne Breckenridge Barrett and Curatorial Assistant Adam Monohon
View fullsize Emily Una Weirich - Associate Archivist for Digital Initiatives

In my previous post I mentioned how this was the first time one of my prints has been in an exhibition with a WInogrand print, and how special that was for me. Below is the Winogrand print, a classic image from Women are Beautiful.

Garry Winogrand print form his Women are Beautiful series - 1968 New York

Garry Winogrand print form his Women are Beautiful series - 1968 New York

In Museums, Galleries, Photography Tags William Karl Valentine, Garry Winogrand, The Center for Creative Photography, Tucson, Arizona, The Qualities of LIGHT, Anne Breckenridge Barrett, Adam Monohon, Emily Una Weirich, Meg Hagyard
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