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William Karl Valentine

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Audrey Sands - Talk and Book Signing @ LACMA - July 17th, 2026

August 9, 2026

In March I wrote a blog post reviewing Audrey Sand’s book “Lisette Model – The Jazz Pictures”.  As I wrote in my review the book is outstanding. I sent Audrey a link to my review and she soon emailed me back. She thanked me for the review and told me she would be in Los Angeles this summer to do a talk and book signing as she asked me to attend. On July 17th Audrey spoke at LACMA and I was there.

This book signing was the first ever in the new bookstore at The Gefffen Galleries at LACMA. LACMA Curator Rebecca Morse moderated the talk which lasted about 40 minutes. Audrey’s talk was fantastic, she did so much research for the book that her knowledge of this work really came through in her words. Her answers to questions were so detailed, but at the same time the information was concise. Her knowledge of, and passion for, photography is obvious. Audrey is going to have an impact on our medium for year to come. If you ever have a chance to hear her lecture do so. An interesting side note, Audrey is originally from Los Angeles and grew up going to LACMA and other museums.

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Wildcats and a Sun Devil…

Audrey Sands, Adam Monohon, and Rebecca Morse - All studied at The Center for Creative Photography at the University of Arizona.

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View fullsize Me, the ASU grad, with Audrey and Rebecca

Book Sighting:

A week after seeing Audrey I was at Arcana Books on the Arts for my friend Ave Pildas’s book signing of his new book “Africa Town.: Sunday Market Leimert Park, Los Angeles”. Whiles checking out the shelfs I easily saw Audrey’s book on the self and interestingly enough Richard Misrach’s “Cargo” was just a couple books away. I saw Richard speak about “Cargo”, at Arcana, last year and did a blog post about it.

From my first review a description of Audrey’s book:

“Lisette Model - The Jazz Pictures” by Audrey Sands was published by Eakins Press in NYC and printed and bound at Graphius in Belgium.  The quality of the book is outstanding.  Beautiful printing, nice heavy papaer, and good binding.  The design is outstanding too.  I love the bright red of the cover and the layout of the pages.  Sands edited the book with Eakins Press’s Peter Kayafas.  The Design was by Julie Fry.  The book is 12” x 10” Cloth Bound Hardcover with 240 Pages, 316 Duo Tone images and 25 Color illustrations.

In Artist, Museums, Photographer, Photography, Photography Books, Photography Curator Tags Lisette Model, “Lisette Model – The Jazz Pictures”, Audrey Sands, Harvard, The University of Arizona, LACMA, The David Geffen Galleries, William Karl Valentine, Adam Monohon, Rebecca Morse
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Liz Allen working on her “hand” print for the book

Liz Allen working on her “hand” print for the book

Interactive component of the Qualities of LIGHT exhibition at the CCP

March 4, 2020

An important component of the Qualities of LIGHT exhibition is the interactive element. I focused on it some in my initial post about the opening. Since there was more activity during the symposium I documented it and felt it worked best to highlight it again in a separate post.

View fullsize Camilla Stevenson
View fullsize Camilla Stevenson
View fullsize Camilla Stevenson
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View fullsize David Ragland
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So again there were basically three interactive elements people could do. First was someone could have their photograph taken at a replica of Harold Jone’s LIGHT gallery desk by CCP’s David Ragland. Next you could sketch your hand to create a drawing to be bound in a book at the conclusion of the exhibition. LIGHT gallery did this at one point and the CCP was recreating that. CCP’s Camilla Stevenson was in charge of getting people to participate with this at the symposium and added a component by taking instant photographs of people to be included in the book with their hand sketches. I pushed the envelope with my sketch using my left had to sketch my right hand (most hand sketches were of left hands), then I had Camilla sign the instant print she took of me so she could lay claim to having a print in the exhibition then . The final station was where you could draw your own personal line map connecting yourself back to LIGHT gallery. I had completed my line map in December and after the symposium I could have added a lot more connections. I brought home a blank sheet so I will probably eventually update a copy for myself. All completed maps were pinned to the back wall of the interactive space to be shared. All three elements were fun and I especially loved the process of the line map.

In Museums, Photography, Galleries Tags #Light2020, The Center for Creative Photography, LIGHT gallery, Becky Senf, William Karl Valentine, Tucson, Arizona, Adam Monohon
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Dr. Rebecca Senf - Chief Curator at the Center for Creative Photography and the Norton Family Curator of Photography and photographer William Karl Valentine

Dr. Rebecca Senf - Chief Curator at the Center for Creative Photography and the Norton Family Curator of Photography and photographer William Karl Valentine

Qualities of LIGHT Exhibition - Center for Creative Photography OPENING

January 15, 2020

On December 13th I drove out to Tucson for the opening of The Qualities of LIGHT Exhibition at the Center for Creative Photography at the University of Arizona.

In my previous blog post I spoke about having a print selected to be included in this exhibition and I wrote about the history of that image. I also spoke about the concept for the exhibition which is to show the importance of The LIGHT Gallery and its impact on the development of Photography as an accepted art form. The CCP exhibition does a fantastic job capturing the spirit of the LIGHT Gallery and documenting LIGHT’s history. One thing LIGHT was famous for was showcasing work from emerging photographers. My print was included in this exhibition as an emerging photographer. My print, along with 120 other prints from other emerging photographers, is on display in one of four large flat files in the middle of the gallery. The concept is that people who view the exhibition can explore the drawers and make their own discoveries. There is also an interactive area where visitors can map their own association with the LIGHT Gallery or others who were influenced by LIGHT. There are also a number of historic artifacts from LIGHT to help recreate the gallery atmosphere.

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Below is my print and the accompanying artist statement information. This is a digital print from a negative scan which is archivally mounted.

View fullsize Meg Hagyard -CCP Senior Director for External Relations, Arts, Culture & Heritage
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CCP Director Anne Breckenridge Barrett and CCP Chief Curator Dr. Rebecca Senf speak at the Members opening of the exhibition. I also got meet CCP Curatorial Assistant Adam Monohon and CCP Archivist Emily Una Weirich. Everyone I met was fantastic and I am looking forward seeing them again at this weekend’s sold out LIGHT symposium.

View fullsize Anne Breckenridge Barrett - Director CCP
View fullsize Becky Senf - Chief Curator CCP
View fullsize Becky Senf - Chief Curator CCP
View fullsize Anne Breckenridge Barrett and Curatorial Assistant Adam Monohon
View fullsize Anne Breckenridge Barrett and Curatorial Assistant Adam Monohon
View fullsize Emily Una Weirich - Associate Archivist for Digital Initiatives

In my previous post I mentioned how this was the first time one of my prints has been in an exhibition with a WInogrand print, and how special that was for me. Below is the Winogrand print, a classic image from Women are Beautiful.

Garry Winogrand print form his Women are Beautiful series - 1968 New York

Garry Winogrand print form his Women are Beautiful series - 1968 New York

In Museums, Galleries, Photography Tags William Karl Valentine, Garry Winogrand, The Center for Creative Photography, Tucson, Arizona, The Qualities of LIGHT, Anne Breckenridge Barrett, Adam Monohon, Emily Una Weirich, Meg Hagyard
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