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William Karl Valentine

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Phoenix Art Museum - Fashioning Self: The Photography of Everyday Expression

May 16, 2023

Fashioning Self: The Photography of Everyday Expression examines the role of photography in shaping, sharing, and shifting identity. March 8th through November 5th 2023

I made my annual pilgrimage to Arizona in March to photograph a few Cactus League games. On the 18th I left the Angels game at Tempe Diablo Stadium a few minutes early so I could stop by the Phoenix Art Museum on the drive back to California, I didn’t bother to check beforehand what was being shown because the Phoenix Art Museum has never disappointed me; it is also an amazing space which is interesting in its own right.

The featured Photography exhibition had 54 works of street, documentary, and self-portrait prints curated to examine the long-intertwined relationship between people’s use of fashion for self-expression and photography’s role in documenting it over a century of time.  The exhibition was organized by the Phoenix Art Museum and the Center for Creative Photography.  I didn’t see the curators listed for this exhibition, but I assume Becky Senf was very involved in this project.

I have a simple sense of fashion, I live in T-shirts, basketball shorts, and baseball hats (fitted & prefer wool 59Fifty’s) most days.  So, an exhibition dealing with fashion shouldn’t be where you would find me.  But this exhibition had Max Yavno and Garry Winogrand photographs in it, and they are two of my favorite photographers. 

The exhibition is curated so well, the curators had knowledge of works I had never seen before, and they brought everything together perfectly to tell this story.  Just the design of the exhibition layout is so creative. How the various prints were grouped, the use of video, and incorporating an interactive Instagram component all come together to create a perfect experience.  It is not like the old days where the selected works were just hung in a line, and it was more about the individual prints or paintings.  The creativity of the curators shows through. This exhibition is timely and a great document of part of our history, the Phoenix Art Museum and CCP staff nailed it.  Below are my images of the exhibition.

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I wasn’t that familiar with Bill Cunningham’s work but it was a perfect addition to this exhibition. They had a video installation showing Bill working and his photographs. Bill was definitely a street photographer, but when I picked up of his book, which I bought in the Museum shop, I learned that he considered himself a fashion historian before being a photographer. He was good at both.

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Selfie on the left, a self portrait, with the help of Adam from Phoenix Art Museum staff on the right. Below are examples of the interactive Instagram component of the exhibit. Notice my classic T-shirt and hat style, perfect for a day at the yard watching ball (and looking at art and driving 350 miles comfortably). #PhxArtFashioningSelf .

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The Geoffrey Beene exhibit was outstanding, and it was because of the design of the space. Graphic colors and patterns, how the mannequins are posed, and the incorporation of the fashion still photographs & proof sheets, just come together amazingly. The curators had incredible vision to be able to take the artifacts they had and create this space. The exhibition is obviously static but had the feel of action the way it was designed. I loved how they worked the photography component in too, it added to the experience perfectly.

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More photographs of the Phoenix Art Museum. I love the scale and design of this space, plus I always discover artwork I didn’t know about every time I visit. Phillip C. Curtis’s paintings are fantastic and I love Rebecca Campbell’s “Jack and Diane”; humor in the title and the painting style was so unique how it dealt with the light.

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Miguel Palma’s(1964) “Action Plan” (2009) was on display near the Museum Store and immediately grabbed my attention. Miguel is just a year younger than I am, so I assume he grew up with G.I. Joes like I did. I understand the psychology behind why societies have had toy soldiers for their boys to play with, and I recognize the horror of war, but as a kid I loved my collection of G.I. Joes and spent lots of days outside in the dirt playing with them. This collection of accessories is epic. I appreciate the deeper meaning here, but with every piece of artwork on display, each view brings their own past experiences with them when they experience the work. A nice work of art but I am still also jealous of this collection.

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In Galleries, Museums, Photography, Photography Exhibitions Tags @phxart, #PhxArtFashion, #GeoffreyBeene, #Selfie, #Selfportrait, Doris and John Norton Gallery, Becky Senf, Eduard van det Eisken, Louis Carlos Bernal, Milton Rogovin, Charles "Teenie" Harris, Lila and Joel Hartnett Gallery, #Move, Authentic Brands Group, Deanna McBrearty, Rebbeca Campbell, Phillip C. Curtis, David Hume Kennerly, Dennis Feldman, Max Yavno, Garry Winogrand, Bill Cunningham, Center for Creative Photography, Vogue, Roger Minick, Richard Sandler, Joan Lifton, Helen Levitt, Andrew Eccles, Lee Bontecon, Sin titulp, Miguel Palma, Action plan, @cntrforcreativephoto, Laura Volkerding, @beckysenfccp
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Dr. Maurice Berger at the Legacies of LIGHT Symposium at the Center for Creative Photography 1-19-20

Dr. Maurice Berger at the Legacies of LIGHT Symposium at the Center for Creative Photography 1-19-20

Dr. Maurice Berger 1956 - 2020

March 25, 2020

As I have written before in posts, when I was at the Legacies of LIGHT symposium at the Center for Creative Photography back in January I realized I was participating in something very special. Not only was the event documenting an important period in the history of the medium of Photography but I felt the symposium itself would one day be looked back upon as an historic event. One thing I noted was that the symposium would most likely be the last time all these incredibly influential people, those who helped shape where our medium is today, would be in the same room together. I had no idea how soon this would happen but on Monday March 23rd the Photography / Art / History worlds lost an important professor and curator who was at the symposium.

Maurice Berger was a writer, cultural historian, and curator whose work focused on the intersection of race and visual culture.  In 2018 he won the “Infinity Award” in Critical Writing and Research for his NY Times Lens Section columns “Race Stories”. He was also the Research Professor and Chief Curator at the Center for Art, Design and Visual Culture, University of Maryland, Baltimore County. His spouse of 27 years was Marvin Heiferman who was a former LIGHT gallery employee and presenter at the symposium. Maurice passed away in New York from complications related to the COVID-19 virus.

View fullsize  Maurice photographing Marvin and Laurence Miller as they recreated a photograph from the LIGHT gallery period.
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I did not know Maurice personally but I photographed him several different times at the symposium, including the moment he was photographing Marvin with their long time friend a fellow LIGHT gallery alum Laurence Miller, some of my best images from the symposium.

Earlier this month I sent prints to many of the people I photographed at the symposium . Larry Miller got his prints before Maurice and Marvin, Larry showed his prints to Marvin who immediately reached out to me asking for a copies, not knowing I had already made him prints. I am in shock right now with the realization that two weeks ago I was trading emails with Marvin about these images and two days ago Maurice died from the COVID-19 virus. After hearing the news last night I looked on Maurice’s Instagram page and saw a week ago he had posted an image of Marvin photographing in Hyde Park, NY and made a comment in another post about being in a crowded upstate New York market listening to people discuss the virus. Maurice’s decline and passing must have been incredibly fast which is scary. I was in Boston with my son, Brent, when concerns about COVID-19 started to really take hold in this country. We had planned a long road trip back when Brent’s hockey season ended but changed plans for a fast direct route when we realized how serious the situation was becoming. We have been back in California for almost a week now after witnessing the country shut down more and more as we traveled West. Hopefully we will continue to stay healthy as this pandemic passes through our society. Maurice’s passing brings mortality in to focus for me one more time this year (just a brutal year of loss), hopefully others in society will recognize the seriousness of the situation and be even more vigilant in their habits. My thoughts and prayers go out to Marvin, Maurice, and all their family and friends.

Obituaries for Maurice:

Baltimore Sun

The Jewish Museum

ArtNet.com

In Photography, Galleries, Museums, Photography Theory Tags Emily Una Weirich, Dr. Maurice Berger, Center for Creative Photography, Tucson, Arizona, #Light2020, LIGHT gallery, @cntrforcreativephoto, #lifeinthetimeofcorona, @maurice.berger, #ArtInTheTimeOfCovid
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