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William Karl Valentine

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Phoenix Art Museum - Fashioning Self: The Photography of Everyday Expression

May 16, 2023

Fashioning Self: The Photography of Everyday Expression examines the role of photography in shaping, sharing, and shifting identity. March 8th through November 5th 2023

I made my annual pilgrimage to Arizona in March to photograph a few Cactus League games. On the 18th I left the Angels game at Tempe Diablo Stadium a few minutes early so I could stop by the Phoenix Art Museum on the drive back to California, I didn’t bother to check beforehand what was being shown because the Phoenix Art Museum has never disappointed me; it is also an amazing space which is interesting in its own right.

The featured Photography exhibition had 54 works of street, documentary, and self-portrait prints curated to examine the long-intertwined relationship between people’s use of fashion for self-expression and photography’s role in documenting it over a century of time.  The exhibition was organized by the Phoenix Art Museum and the Center for Creative Photography.  I didn’t see the curators listed for this exhibition, but I assume Becky Senf was very involved in this project.

I have a simple sense of fashion, I live in T-shirts, basketball shorts, and baseball hats (fitted & prefer wool 59Fifty’s) most days.  So, an exhibition dealing with fashion shouldn’t be where you would find me.  But this exhibition had Max Yavno and Garry Winogrand photographs in it, and they are two of my favorite photographers. 

The exhibition is curated so well, the curators had knowledge of works I had never seen before, and they brought everything together perfectly to tell this story.  Just the design of the exhibition layout is so creative. How the various prints were grouped, the use of video, and incorporating an interactive Instagram component all come together to create a perfect experience.  It is not like the old days where the selected works were just hung in a line, and it was more about the individual prints or paintings.  The creativity of the curators shows through. This exhibition is timely and a great document of part of our history, the Phoenix Art Museum and CCP staff nailed it.  Below are my images of the exhibition.

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I wasn’t that familiar with Bill Cunningham’s work but it was a perfect addition to this exhibition. They had a video installation showing Bill working and his photographs. Bill was definitely a street photographer, but when I picked up of his book, which I bought in the Museum shop, I learned that he considered himself a fashion historian before being a photographer. He was good at both.

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Selfie on the left, a self portrait, with the help of Adam from Phoenix Art Museum staff on the right. Below are examples of the interactive Instagram component of the exhibit. Notice my classic T-shirt and hat style, perfect for a day at the yard watching ball (and looking at art and driving 350 miles comfortably). #PhxArtFashioningSelf .

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The Geoffrey Beene exhibit was outstanding, and it was because of the design of the space. Graphic colors and patterns, how the mannequins are posed, and the incorporation of the fashion still photographs & proof sheets, just come together amazingly. The curators had incredible vision to be able to take the artifacts they had and create this space. The exhibition is obviously static but had the feel of action the way it was designed. I loved how they worked the photography component in too, it added to the experience perfectly.

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More photographs of the Phoenix Art Museum. I love the scale and design of this space, plus I always discover artwork I didn’t know about every time I visit. Phillip C. Curtis’s paintings are fantastic and I love Rebecca Campbell’s “Jack and Diane”; humor in the title and the painting style was so unique how it dealt with the light.

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Miguel Palma’s(1964) “Action Plan” (2009) was on display near the Museum Store and immediately grabbed my attention. Miguel is just a year younger than I am, so I assume he grew up with G.I. Joes like I did. I understand the psychology behind why societies have had toy soldiers for their boys to play with, and I recognize the horror of war, but as a kid I loved my collection of G.I. Joes and spent lots of days outside in the dirt playing with them. This collection of accessories is epic. I appreciate the deeper meaning here, but with every piece of artwork on display, each view brings their own past experiences with them when they experience the work. A nice work of art but I am still also jealous of this collection.

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In Galleries, Museums, Photography, Photography Exhibitions Tags @phxart, #PhxArtFashion, #GeoffreyBeene, #Selfie, #Selfportrait, Doris and John Norton Gallery, Becky Senf, Eduard van det Eisken, Louis Carlos Bernal, Milton Rogovin, Charles "Teenie" Harris, Lila and Joel Hartnett Gallery, #Move, Authentic Brands Group, Deanna McBrearty, Rebbeca Campbell, Phillip C. Curtis, David Hume Kennerly, Dennis Feldman, Max Yavno, Garry Winogrand, Bill Cunningham, Center for Creative Photography, Vogue, Roger Minick, Richard Sandler, Joan Lifton, Helen Levitt, Andrew Eccles, Lee Bontecon, Sin titulp, Miguel Palma, Action plan, @cntrforcreativephoto, Laura Volkerding, @beckysenfccp
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Phoenix Art Museum

Phoenix Art Museum

Phoenix Art Museum - Ansel Adams - Performing the Print

April 22, 2021

At the end of March I saw a social media post from Beck Senf , the Norton Family Curator of Photography for the Phoenix Art Museum, about the Ansel Adams “Performing the Print” exhibition at the Phoenix Art Museum.  She encouraged people to see the exhibition and said it was coming to an end soon.  Because of this I got in the truck and headed East on the 10 freeway, from California, to check it out. Okay, I better give a disclaimer here, we were already heading out to see some Cactus League games but I still made a point to get over to the Phoenix Art Museum to see the exhibition after seeing her reminder.

I remember well seeing an exhibition of Ansel Adams prints at the Friends of Photography in San Francisco years ago and being so intrigued by his different printing styles over time. Seeing his prints in person is always a great reminder of what a good print should look like. I don’t recall if the Friends of Photography had as much text explanation next to the prints as they included in the Phoenix exhibition. I thought the accompanying text at the Phoenix Art Museum exhibition was outstanding.  It clearly and concisely described how the prints differed and it was written in a way that everyone could learn something from it.  From a casual museum patron to a photographer with darkroom expertise.  Unfortunately, the exhibition closed earlier this month and had been interrupted by the pandemic lockdown, but luckily I was able to see it and share the experience here.

There are better resources than me regarding the differences in Adam’s printing styles so I think it is best to just show a few photographs of the exhibition here to highlight what the exhibition was like.

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The Phoenix Art Museum is itself a work of art, one of the best museum spaces I have ever seen.  I would go there to see the building even if there weren’t any exhibitions up, the design and space is just that interesting.  Below are a few examples of the space. Plus, you have to love any museum that has Wayne Thiebaud’s paintings in their collection. If you live in Phoenix join the museum and if you are just visiting make sure to get over to see the Phoenix Art Museum, you will not be disappointed.

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In Museums, Galleries Tags Ansel Adams, Phoenix Art Museum, Doris and John Norton Gallery, Center for Creative Photography, Becky Senf, Arizona, Phoenix, Photography, Performing the Print, Wayne Thiebaud, Vaughn Spann, Raymon Saunders, Danielle Hacche, @phxart, #AnselAdamsPhxArt
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