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William Karl Valentine

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Phoenix Art Museum - Fashioning Self: The Photography of Everyday Expression

May 16, 2023

Fashioning Self: The Photography of Everyday Expression examines the role of photography in shaping, sharing, and shifting identity. March 8th through November 5th 2023

I made my annual pilgrimage to Arizona in March to photograph a few Cactus League games. On the 18th I left the Angels game at Tempe Diablo Stadium a few minutes early so I could stop by the Phoenix Art Museum on the drive back to California, I didn’t bother to check beforehand what was being shown because the Phoenix Art Museum has never disappointed me; it is also an amazing space which is interesting in its own right.

The featured Photography exhibition had 54 works of street, documentary, and self-portrait prints curated to examine the long-intertwined relationship between people’s use of fashion for self-expression and photography’s role in documenting it over a century of time.  The exhibition was organized by the Phoenix Art Museum and the Center for Creative Photography.  I didn’t see the curators listed for this exhibition, but I assume Becky Senf was very involved in this project.

I have a simple sense of fashion, I live in T-shirts, basketball shorts, and baseball hats (fitted & prefer wool 59Fifty’s) most days.  So, an exhibition dealing with fashion shouldn’t be where you would find me.  But this exhibition had Max Yavno and Garry Winogrand photographs in it, and they are two of my favorite photographers. 

The exhibition is curated so well, the curators had knowledge of works I had never seen before, and they brought everything together perfectly to tell this story.  Just the design of the exhibition layout is so creative. How the various prints were grouped, the use of video, and incorporating an interactive Instagram component all come together to create a perfect experience.  It is not like the old days where the selected works were just hung in a line, and it was more about the individual prints or paintings.  The creativity of the curators shows through. This exhibition is timely and a great document of part of our history, the Phoenix Art Museum and CCP staff nailed it.  Below are my images of the exhibition.

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I wasn’t that familiar with Bill Cunningham’s work but it was a perfect addition to this exhibition. They had a video installation showing Bill working and his photographs. Bill was definitely a street photographer, but when I picked up of his book, which I bought in the Museum shop, I learned that he considered himself a fashion historian before being a photographer. He was good at both.

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Selfie on the left, a self portrait, with the help of Adam from Phoenix Art Museum staff on the right. Below are examples of the interactive Instagram component of the exhibit. Notice my classic T-shirt and hat style, perfect for a day at the yard watching ball (and looking at art and driving 350 miles comfortably). #PhxArtFashioningSelf .

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The Geoffrey Beene exhibit was outstanding, and it was because of the design of the space. Graphic colors and patterns, how the mannequins are posed, and the incorporation of the fashion still photographs & proof sheets, just come together amazingly. The curators had incredible vision to be able to take the artifacts they had and create this space. The exhibition is obviously static but had the feel of action the way it was designed. I loved how they worked the photography component in too, it added to the experience perfectly.

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More photographs of the Phoenix Art Museum. I love the scale and design of this space, plus I always discover artwork I didn’t know about every time I visit. Phillip C. Curtis’s paintings are fantastic and I love Rebecca Campbell’s “Jack and Diane”; humor in the title and the painting style was so unique how it dealt with the light.

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Miguel Palma’s(1964) “Action Plan” (2009) was on display near the Museum Store and immediately grabbed my attention. Miguel is just a year younger than I am, so I assume he grew up with G.I. Joes like I did. I understand the psychology behind why societies have had toy soldiers for their boys to play with, and I recognize the horror of war, but as a kid I loved my collection of G.I. Joes and spent lots of days outside in the dirt playing with them. This collection of accessories is epic. I appreciate the deeper meaning here, but with every piece of artwork on display, each view brings their own past experiences with them when they experience the work. A nice work of art but I am still also jealous of this collection.

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In Galleries, Museums, Photography, Photography Exhibitions Tags @phxart, #PhxArtFashion, #GeoffreyBeene, #Selfie, #Selfportrait, Doris and John Norton Gallery, Becky Senf, Eduard van det Eisken, Louis Carlos Bernal, Milton Rogovin, Charles "Teenie" Harris, Lila and Joel Hartnett Gallery, #Move, Authentic Brands Group, Deanna McBrearty, Rebbeca Campbell, Phillip C. Curtis, David Hume Kennerly, Dennis Feldman, Max Yavno, Garry Winogrand, Bill Cunningham, Center for Creative Photography, Vogue, Roger Minick, Richard Sandler, Joan Lifton, Helen Levitt, Andrew Eccles, Lee Bontecon, Sin titulp, Miguel Palma, Action plan, @cntrforcreativephoto, Laura Volkerding, @beckysenfccp
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Center for Creative Photography - Tour of Facilities - LIGHT symposium

March 1, 2020

On January 17th, Prior to The Legacies of LIGHT Symposium officially starting, attendees of the symposium were allowed the unique opportunity to take a behind the scenes tour of the Center for Creative Photography. The tour lasted about an hour and was fantastic. I always find “behind the scene tours” interesting, which this tour truly was, but with this one I also learned some things which should help me as a photographer with archiving my work. The primary reason I found this tour so enjoyable was the staff. Anne Breckenridge Barrett and Becky Senf have assembled a team at the CCP which is as world class as the facility and its holdings. Staff members are experts in their fields, they are passionate about what they do, and they enjoy sharing their knowledge with others. My tour was one of the last groups of the day and everyone on staff was still motivated to share their different worlds with us.

I think the best approach for me to share what this experience was like is to just post a series of galleries of each area we visited then briefly describe what I saw.

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The first stop on the tour was the room where curators layout and plan exhibitions. I didn’t get the official name down, as you can see it is basically a narrow room about 50 feet long with tables and ledges to lay out work. The room is secure so a curator can spend as many days as she or he wants assembling an exhibition without having to worry about putting artwork away each night. The lighting was obviously perfect with plenty of room to experience the sequencing of images for any project.

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Dana Hemmenway is the Arthur J. Bell Senior Photography Conservator at the CCP and her area of expertise is fascinating. She had selected several examples of acid contamination to prints and explained how they work to protect the assets of the CCP. In the images above with the large light table she explained how they can recover image information from badly damaged negatives to allow quality prints to be made from those negatives. The last two images above show badly damaged Extachrome slides from David Hume Kennerly’s 1979 series “Drug Trade” which documented the war on drugs at the time from the point of origin in South and Central America. In the fall of 2019 the CCP acquired David Hume Kennerly’s archives including these slides. These Extachrome slides had been processed in the region where he had been photographing and years later developed these unique crystals on the emulsion making the images almost unrecognizable and completely unusable. Hemmenway and the CCP is currently conducting experiments to identify the cause of the crystals and how to recover the images.

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Although the CCP does not house Richard Avedon’s entire archive they do have a massive print archive of his work with a dedicated space and archivist specifically for his prints at CCP. I have seen his large prints in exhibition before so the large flat files to house the work did not surprise me but I was still in awe of those drawers. This is a room very few get to see, I was happy we got to look in.

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If I remember this correctly the Archivist space for the CCP’s Digital Initiatives section is currently located off of the CCP’s library but they are getting a new larger work space with more dedicated equipment. In December, at the opening of LIGHT, I had a fantastic conversation with Associate Archivist for Digital Initiatives Emily Una. Weirich , who detailed how they are digitally preserving the Center’s archives and preserving images originally created in digital media. The Digital Initiatives section can handle almost any type of artwork and its staff is helping to establish modern standards for archiving digital imagery. I find the subject fascinating as well as important for me to understand as I work to properly maintain my own files.

I think the CCP’s library is still working to fill out it’s collection. They have some fantastic historic books and periodicals and their collection is decent size.

I did find two things in the library that I absolutely loved. One was a Winogrand 1964 book still in its shrink wrap, love that someone hasn’t gotten to that because I also have a book or two on my shelf which is still in shrink wrap. The other was a small framed announcement for the Witkin Gallery’s 1975 Sixth Anniversary Exhibition which was shoved back up on a shelf under the fire alarm. I assume it is an original poster, loved where it was being stored, the fact the exhibition was only five weeks long, and that the image they used for it was Stieglitz’s iconic “Steerage”.

Great tour and I am sure we probably were just scrapping the surface of all they have at this premiere institution.




In Museums Tags The Center for Creative Photography, Tucson, The University of Arizona, Fine Art Photography, Dana Hemmenway, Photography Conservator, David Hume Kennerly, Richard Avedon, Anne Breckenridge Barrett, Becky Senf, Emily Una Weirich, Alfred Stieglitz, The Steerage
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