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Dr. Rebecca Senf - Center for Creative Photography - “Ask a Curator” life webcast

Recent Photography Webcast Worth Viewing - Becky Senf & Joel Meyerowitz

October 23, 2023

I have been able to watch a number of great live web events recently about photography and I want to quickly mention them in a post. With all the material out there today, I feel like I was lucky to have found these. The first two I discovered because I follow Dr. Rebecca Senf at the Center for Creative Photography and the last one was an Instagram alert about a live broadcast starting because I follow Joel Meyerowitz.

The first webcast was four weeks ago and was the Center for Creative Photography’s “Ask a Curator” event where Rebecca Senf (Becky) answered questions about being a curator for an hour. I thought this was outstanding and I encourage photographers, or anyone interested in fine art photography, to follow the “Ask a Curator” link and listen to her talk. I have really focused on getting to know curators and other photography professionals lately, just to deepen my understanding of the medium and the direction it is going. I have met Becky several times, have heard her lecture, and read her writings. She shares content in a way that every person who receives the information will gain a better level of understanding of the topic. I love listening to Becky talking about photography, her knowledge of, and passion for, the medium always comes through.

The next live webcast I saw was also promoted on Rebecca Senf’s Instagram. This event was the Photographic Arts Council - Los Angeles’s A Picture a Minute where well-known photographers, collectors, and curators each selected a single photograph and spoke to why the image was important to them, ideally for just one minute. You can see with my screen shot above the list of participants was impressive.

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With the picture in a minute webcast, speakers were moving fast and my note taking was not perfect, but here is what I got down – I researched as much as I could to prevent errors, my apologies if I missed anything.

The concept for the event came from a project Agnes Varda had done for French television where she did 170 episodes called “un minute for un image”.  Agnes wanted to how a single photo could impact people. Agnes felt that viewing photographs gave her space and time to think and wanted to share that with others.

Here are a selection of the presenters and their chosen photographs:

Alia Malley shared the photograph “Earth rise over the Moon” taken on 12/24/68 by Apollo 8 astronaut Bill Anders and spoke about how incredible that moment was for all of mankind and how important the image was capturing it.  She also mentioned how intriguing it is to think the camera only captured 1/250th of a second in time but how powerful that fraction of time was.

Andrea Liss highlighted Carry Mae Weems photograph “Moody Blue Girl”

Arpad Kovacs’s photograph was David O. Alekhuogie’s 2015 image “Bandana Hearts”.

 PAC LA’s Director, Bayley Mizelle, talked about Alvin Baltrip’s 1975-80 series “The Piers” documenting the gay cruising spots in New York City before the Aids epidemic.

Cesar Rueda showcased a photograph by Magnum’s Yael Martinez.

Paula Ely shared Vik Muniz’s “Ecstasy of St. Theresa after Benini” 2015

Clare Kunny and her husband Colin Westerbeck spoke about a photograph in their personal collection which is a dual portrait of Colin by Joel Meyerowitz.  They spoke about how the image was photographed and how special it is to them (There is more about this image below including Joel’s comments about it which I heard in a separate web cast).

Dan Solomon spoke about Deborah Turbeville’s American Vogue editorial in the 1970’s and mentioned there was a ‘sense of decay, Photos are about memories”.

Gallerist Douglas Marshall paid tribute to Lawrence McFarland, who passed this year by talking about the power of his photograph “Wheatfields Nebraska/Kansas border 1976”.

Elena Dorfman’s choice was an 1872 Eadweard Muybridge print.

LACMA’s Eve Schillo chose Yan Wang Preston’s 2017 image Egongyan Park.

Hiroshi Watanabe didn’t understand the “one-minute” aspect of the event, but he gave an interesting talk about a Robert Frank print he had owned once, “New Orleans Trolley 1955”.  Hiroshi paid $8,000 for the print in 1992 and when he decided to sell it a few years later, because it had started to fade slightly, it sold at auction for $36,800. 

Jeanne M. Connell showed a 1948 print of Solarized Calla Lillies by Carlotta Corpron.  I was not familiar with Corpron, who a teacher at Denton College in Texas, but this image was beautiful.

Jo Ann Callis shared Daido Moriyama’s famous 1971 photograph “Stray Dog”.

Rebecca Senf chose a photograph by Ansel Adams which was printed early in his career, a 1927 print of Mount Galen Clark.  I found her selection interesting because I have seen exhibitions of Adams’s photographs where multiple prints of the same image, from different stages in Adams’s career, are hung together to show the evolution of his technique.  I also found it interesting to see which Adams image Becky chose since she has expert knowledge of most all his work.

Robert Berman selected a Julian Wasser image that I know and like of Duchamp playing chess with a nude model. I did a blog post earlier this year when Wasser passed away. I have seen video of Wasser talking about his life and photography before, he definitely lived life to the fullest and made some great images. I also liked the fact this particular image was made in Pasadena, California in 1963, because I was born there that year.

Former gallerist Stephen White shared a Bill Brandt nude.

Virginia Heckert, who is the curator of photographs at the J. Paul Getty Museum talked about Shigemi Uyeda’s 1925 photograph “Reflections on the Oil Ditch” from their collection.

Michael Hawley, Chairperson of the Getty Photographs Council, chose a Graciela Iturbide photograph, titled “Angelita” 1979.  Listening to Hawley, he obviously has great insight into the medium and he said a couple good things worth sharing: “The art of photography are pictures that offer more questions than answers” and he reminded people to get to know their artists who are still here.

Long time Los Angeles gallerist Paul Kopeikin shared a vernacular photograph of a cowboy and a girl from his collection and spoke to how anyone can collect photographs which I thought this picture was an awesome share.  Paul’s words reminded me of some of Bill Jay’s lessons on the value of a photograph back when I was studying at Arizona State.

I am thankful the Photographic Arts Council - Los Angeles put this event on, it had a lot of value.

Darius Himes - Christie’s

Interviewing Joel Meyerowitz along with Alejandro Cartagena

The final live webcast I saw was Darius Himes and Alejandro Cartagena interviewing Joel Meyerowitz about his recent venture into the NFT market. I follow Joel on Instagram and got notification that the live video was starting, and at that time I was able to watch it. Alejandro is an artist in his own right, but he is collaborating with Joel, helping his go through his massive archive to find images from the past. Darius is the International Head of Photographs for Christie's. The conversation between these three was interesting enough but then Alejandro brought up the fact he had participated in the Photographic Arts Council - Los Angeles’s A Picture a Minute and mentioned one of Joel’s photographs had been featured in the event. The photograph was a dual portrait of Colin Westerbeck, one image in the morning and the second image in the afternoon in his apartment, I believe in Chicago. In the pre-digital age, it was a slightly complex image to compose so the frame edges lined up correctly. During the PAC LA event Colin and his wife, Clare Kunny, spoke about the print which still hangs in their house and how important it is to them because of their relationship with Joel. When Alejandro brought it up in this webcast Joel then talked about his photographic process for the image. It was fascinating hearing the perspectives from the three people involved in making the image. Colin is the former Curator of Photographs at the Art Institute of Chicago and an educator. Clare Kunny specializes in education programs within the museum environment. Colin and Clare have lived in Los Angeles for some time now. Joel Meyerowitz is another photography icon that is always worth listening to. He is one of the best image makers of all time and has such incredible energy.

There is so much content online now and it’s hard to navigate through it all, but when you do you often find some amazing content. Hopefully you will find the time to explore some of the links I have shared here.

In Photography, webcasts Tags Darius Himes, Alejandro Cartagena, Clare Kunny, Colin Westerbeck, Joel Meyerowitz, Photographic Arts Council - Los Angeles, Picture a Minute, @beckysenfccp, @joel_meyerowitz, @alexcartagenamex, @fellowship.xyz, #photography, The Center for Creative Photography, The Art Institute of Chicago, Virginia Heckert, J.Paul Getty, J. Paul Getty, Stephen White, Bill Brandt, Julian Wasser, Robert Berman Gallery, Daido Moriyama, Robert Frank, Lawrence McFarland, Elena Dorfman, Eve Schillo, LACMA, Yan Wang Preston, Marshall Gallery, Deborah Tuberville, Cesar Rueda, Bayley Mizelle, Alvin Baltrip, Arpad Kovac, Andrea Liss, Carry Mae Weems, David O. Alekhuogie, @dariushimes, @ joel_meyerowitz, Paula Ely
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Howard Greenberg Collection - Museum of Fine Arts Boston

January 14, 2020

The Viewpoints exhibition , photographs from the Howard Greenberg Collection at the MFA in Boston was one of the most impressive exhibitions I have seen, I am unfortunately getting to posting this later than I had hoped, I saw the exhibition shortly before it closed last December.

The Howard Greenberg gallery has long been one of my favorite stops when I am able to get to New York. His gallery’s focus on documentary photography, and selection of what work to show, is fantastic. The gallery space is awesome, the staff is so personable & knowledgeable, and their exhibition designs are always so well crafted.

The aspect of the MFA exhibition I loved the most was it gave the viewer insight in to Howard’s vision. It explained his approach to the medium, and what interested him. The collection includes many of Howard’s favorite prints and the stories behind why the images are important to him. In some cases it tells how he came to obtain the prints. There are so many amazing one of a kind prints in this collection, it is such a good exhibition for documenting the history of the medium and the presentation of the collection by the MFA staff is perfect. It is as good an exhibition design as I have seen. I think the best way to approach sharing this with you here is to start posting my photos of the exhibition in groups and just make comments about them.

While drafting this post, one interesting thing I learned about the MFA collection was it began in 1924 when Alfred Stieglitz donated 27 of his photographs to the Museum. The collection now includes approximately 15,000 photographs

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The short video accompanying the exhibition was perfect. I loved hearing Howard explain the importance of the different items in the exhibition then being able to go look at them on the walls. The MFA also included quotes with the titles next to the prints which was good too, but seeing the video then going to see the prints he talked about was the best way to experience things. I have looked for this video on line and have not been able to find a link to it. These three still his opinion on the importance of making prints not just capturing images.

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The above images show how the exhibition prints were grouped under themes.

Gloria Swanson, 1924 , by Edward Steichen (1879-1973)

Gloria Swanson, 1924 , by Edward Steichen (1879-1973)

Steichen’s print of Gloria Swanson is one of the most beautiful prints I have ever seen. It is also one of Howard’s favorite prints as he describes in the video. in person it is truly amazing.

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Above - examples of personal prints photographers made

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The exhibition had images I was not familiar with before like the Winogrand and Frank prints above. I really found the Frank print interesting. His “Americans” series was so important in the history of the medium, to see an image he took when he was on his way here to do the project is incredible. I envision him “sharpening the saw” some knowing about the journey he was about to embark on.

With Eddie Adams’s iconic photograph.

With Eddie Adams’s iconic photograph.

The concept for displaying iconic images with their press notes and publishing stamps visible was brilliant. I loved being able to see both sides of these prints, the small wall cut out and the dual glass frame was perfect.

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The Henri Cartier-Bresson print below was pretty incredible too. I was familiar with the image, and to see what is the very first print of the image is so special. Enjoyed the story of how Howard confirmed this was Henri’s first print and the path it took to get in to Howard’s collection.

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More amazing Steichen prints below. Where Instagram and other social media platforms, like this blog, are fantastic to share information to broad audiences quickly there is also a downside in that many photographers today do not fully understand the medium, especially what a fine print really is. I have written about it before, to truly understand what a good print is you have to view good prints. In person, slowly, and by examining every detail. Unfortunately this can not be accomplished in 2 to 3 second digital views.

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After the Steichen print of Gloria Swanson , the two prints below were probably my favorite prints in the exhibition. W. Eugene Smith’s printing skills were amazing, I remember seeing his working prints of the Jazz Loft Project on display at MoPA in San Diego and I was in awe of how beautiful his working prints were. The display in that exhibition was also perfect. I am so glad his archive is also at the Center of Creative Photography where it will properly cared for and shared.

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The Diane Arbus print was good to see. I remember seeing her own enlargements years ago and they were not clean. So much dust on the negatives that it was distracting, and no where close to the images which professional printers produced. To see this smaller print which you know she made was another special experience.

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Although I have long been familiar with this famous Lewis Hine image and how important it was for bringing about change, I think this is the first time I have seen this print in person. Powerful experience to view it.

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Below is a selection of other prints in the exhibition which stood out to me.

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I am very thankful that Howard Greenberg donated this collection to the MFA. First so I could see the prints exhibited in this format, which again was an outstanding presentation, but more importantly to assure that such an amazing part of the history of the medium will be preserved together in an institution like the MFA.

I found the following articles on the exhibition which may also be of interest:

Howard Greenberg Gallery Statement

Wall Street Journal

The Guardian

In Museums, Galleries, Photography Tags MFA Boston, Howard Greenberg, Howard Greenberg Gallery, Alfred Stieglitz, William Karl Valentine, Henri Cartier-Bresson, Bill Brandt, Bruce Davidson, Frank Nara, Minor White, Margaret Bourke White, Hamilton Wright, Lewis Hine, Diane Arbus, W. Eugene Smith, Eddie Adams, Garry Winogrand, Roy DeCarava, Edward Weston, Edward Steichen, Robert Frank, Peter Sekaer
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