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William Karl Valentine

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The High Museum of Art - Atlanta

November 28, 2022

I knew the High Museum had a respected photography collection, but I didn’t know much more about the Institution until I visited Atlanta last month. 

The exhibition space is outstanding, much larger than I expected.  I also like the flow and layout of the museum.  The High also has a youth interactive room that looked amazing.  One thing that really stood out was how everyone associated with the museum I met was nice and seemed to really enjoy being at work; they seem to have a good culture there.

I liked most of the work in the exhibitions, most of which I wasn’t familiar with.  Deana Lawson’s photographs were in the photography gallery downstairs, I am reviewing her work in a separate blog post.

In preparing this post I researched more information about the High.  I learned the formation of the museum began in 1905 with the formation of the Atlanta Art Association.  In 1926 Mrs. Joseph M. High donated her family home to be their first permanent space.  In 1962 a plane crash in Paris took the lives of 122 Art Association members who had travelled to Francer to tour galleries and museums.  Incredibly in 1968 the Atlanta Memorial Arts Center, which includes the High Museum, opened.  I think this is an incredible accomplishment after losing so many area supporters just six years earlier.  In 1979 Coca Cola seeded money to expand the High Museum to 135,000 and that project was completed in 1983.  In 2005 another expansion was completed adding three new buildings and bringing the High to 312,000 Square feet.

Atlanta based collector and photographer Lucinda Weil Bunnen donated the core of the High photography collection which now has over 600 objects.  In the 2000’s the High began to focus on collecting civil rights era photography and has and collection of photographs by an impressive roster of photographers including the following greats: Gordon Parks, Leonard Freed, Danny Lyon, Bruce Davidson, Charlie Moore, Bob Adelman, Henri Cartier-Bresson, Lary Fink, James “Spider” Martin, James E. Hinton, Steve Shapiro, Burk Uzzle, Daoud Bey, and William Christenberry.

On the High’s web page, I found what I believe may be their mission statement:

“The High is dedicated to reflecting the diversity of its communities and offering a variety of exhibitions and educational programs that engage visitors with the world of art, the lives of artists and the creative process.”

From what I saw the High is accomplishing the goal of the mission statement. I saw a diverse population of visitors walking through the galleries and it looked like most everyone was finding different works of art to connect with. This was especially true in the Deana Lawson photography exhibit.

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I particularly enjoyed some of the reflective pieces in the upstairs gallery, including Anish Kapoor’s “Untitled” (2010) which was constructed with mirror fragments on a concave steel dish. I always enjoy interactive works like this where my positioning changes the experience with the work.

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I was impressed with the High Museum and I definitely want to get back there again soon. If you live in the region or if you will be visiting Atlanta the High should be on your list of places to visit.

In Museums Tags High Museum, Atlanta, Renzo Piano, Richard Meier, Mrs. Joseph M. High, Lucinda Weil Bunnen, Anish Kapoor, Gordon Parks, Leonard Freed, William Christenberry, Steve Shapiro, Burk Uzzle, Dawoud Bey, Danny Lyon, Bruce Davidson, Charlie Moore, Bob Adelman, Henri Cartier-Bresson, Larry Fink, James "Spider" Martin, James E. Hinton
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Howard Greenberg Collection - Museum of Fine Arts Boston

January 14, 2020

The Viewpoints exhibition , photographs from the Howard Greenberg Collection at the MFA in Boston was one of the most impressive exhibitions I have seen, I am unfortunately getting to posting this later than I had hoped, I saw the exhibition shortly before it closed last December.

The Howard Greenberg gallery has long been one of my favorite stops when I am able to get to New York. His gallery’s focus on documentary photography, and selection of what work to show, is fantastic. The gallery space is awesome, the staff is so personable & knowledgeable, and their exhibition designs are always so well crafted.

The aspect of the MFA exhibition I loved the most was it gave the viewer insight in to Howard’s vision. It explained his approach to the medium, and what interested him. The collection includes many of Howard’s favorite prints and the stories behind why the images are important to him. In some cases it tells how he came to obtain the prints. There are so many amazing one of a kind prints in this collection, it is such a good exhibition for documenting the history of the medium and the presentation of the collection by the MFA staff is perfect. It is as good an exhibition design as I have seen. I think the best way to approach sharing this with you here is to start posting my photos of the exhibition in groups and just make comments about them.

While drafting this post, one interesting thing I learned about the MFA collection was it began in 1924 when Alfred Stieglitz donated 27 of his photographs to the Museum. The collection now includes approximately 15,000 photographs

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The short video accompanying the exhibition was perfect. I loved hearing Howard explain the importance of the different items in the exhibition then being able to go look at them on the walls. The MFA also included quotes with the titles next to the prints which was good too, but seeing the video then going to see the prints he talked about was the best way to experience things. I have looked for this video on line and have not been able to find a link to it. These three still his opinion on the importance of making prints not just capturing images.

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The above images show how the exhibition prints were grouped under themes.

Gloria Swanson, 1924 , by Edward Steichen (1879-1973)

Gloria Swanson, 1924 , by Edward Steichen (1879-1973)

Steichen’s print of Gloria Swanson is one of the most beautiful prints I have ever seen. It is also one of Howard’s favorite prints as he describes in the video. in person it is truly amazing.

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Above - examples of personal prints photographers made

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The exhibition had images I was not familiar with before like the Winogrand and Frank prints above. I really found the Frank print interesting. His “Americans” series was so important in the history of the medium, to see an image he took when he was on his way here to do the project is incredible. I envision him “sharpening the saw” some knowing about the journey he was about to embark on.

With Eddie Adams’s iconic photograph.

With Eddie Adams’s iconic photograph.

The concept for displaying iconic images with their press notes and publishing stamps visible was brilliant. I loved being able to see both sides of these prints, the small wall cut out and the dual glass frame was perfect.

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The Henri Cartier-Bresson print below was pretty incredible too. I was familiar with the image, and to see what is the very first print of the image is so special. Enjoyed the story of how Howard confirmed this was Henri’s first print and the path it took to get in to Howard’s collection.

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More amazing Steichen prints below. Where Instagram and other social media platforms, like this blog, are fantastic to share information to broad audiences quickly there is also a downside in that many photographers today do not fully understand the medium, especially what a fine print really is. I have written about it before, to truly understand what a good print is you have to view good prints. In person, slowly, and by examining every detail. Unfortunately this can not be accomplished in 2 to 3 second digital views.

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After the Steichen print of Gloria Swanson , the two prints below were probably my favorite prints in the exhibition. W. Eugene Smith’s printing skills were amazing, I remember seeing his working prints of the Jazz Loft Project on display at MoPA in San Diego and I was in awe of how beautiful his working prints were. The display in that exhibition was also perfect. I am so glad his archive is also at the Center of Creative Photography where it will properly cared for and shared.

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The Diane Arbus print was good to see. I remember seeing her own enlargements years ago and they were not clean. So much dust on the negatives that it was distracting, and no where close to the images which professional printers produced. To see this smaller print which you know she made was another special experience.

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Although I have long been familiar with this famous Lewis Hine image and how important it was for bringing about change, I think this is the first time I have seen this print in person. Powerful experience to view it.

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Below is a selection of other prints in the exhibition which stood out to me.

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I am very thankful that Howard Greenberg donated this collection to the MFA. First so I could see the prints exhibited in this format, which again was an outstanding presentation, but more importantly to assure that such an amazing part of the history of the medium will be preserved together in an institution like the MFA.

I found the following articles on the exhibition which may also be of interest:

Howard Greenberg Gallery Statement

Wall Street Journal

The Guardian

In Museums, Galleries, Photography Tags MFA Boston, Howard Greenberg, Howard Greenberg Gallery, Alfred Stieglitz, William Karl Valentine, Henri Cartier-Bresson, Bill Brandt, Bruce Davidson, Frank Nara, Minor White, Margaret Bourke White, Hamilton Wright, Lewis Hine, Diane Arbus, W. Eugene Smith, Eddie Adams, Garry Winogrand, Roy DeCarava, Edward Weston, Edward Steichen, Robert Frank, Peter Sekaer
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Boston Museum of Fine Arts - (Un) Expected Families

June 5, 2018

Review of the Boston Museum of Fine Art’s Unexpected Families exhibitions

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In Photography, Museums Tags Unexpected Families, Museum of Fine Arts, MFA Boston, Louie Palu, Dorthea Lange, Mary Ellen Mark, The Damm Family, Henri Cartier-Bresson, Elaine Mayes, Julie Blackmon, #julieblackmon, Elliot Erwitt, Pasadena, Jess Dugan, Nan Golden, Robert Yager, Morrie Camhi, Danny Lyon, Larry Clark, Tulsa, The Bikeriders
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