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William Karl Valentine

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Dr. Rebecca Senf - Center for Creative Photography - “Ask a Curator” life webcast

Recent Photography Webcast Worth Viewing - Becky Senf & Joel Meyerowitz

October 23, 2023

I have been able to watch a number of great live web events recently about photography and I want to quickly mention them in a post. With all the material out there today, I feel like I was lucky to have found these. The first two I discovered because I follow Dr. Rebecca Senf at the Center for Creative Photography and the last one was an Instagram alert about a live broadcast starting because I follow Joel Meyerowitz.

The first webcast was four weeks ago and was the Center for Creative Photography’s “Ask a Curator” event where Rebecca Senf (Becky) answered questions about being a curator for an hour. I thought this was outstanding and I encourage photographers, or anyone interested in fine art photography, to follow the “Ask a Curator” link and listen to her talk. I have really focused on getting to know curators and other photography professionals lately, just to deepen my understanding of the medium and the direction it is going. I have met Becky several times, have heard her lecture, and read her writings. She shares content in a way that every person who receives the information will gain a better level of understanding of the topic. I love listening to Becky talking about photography, her knowledge of, and passion for, the medium always comes through.

The next live webcast I saw was also promoted on Rebecca Senf’s Instagram. This event was the Photographic Arts Council - Los Angeles’s A Picture a Minute where well-known photographers, collectors, and curators each selected a single photograph and spoke to why the image was important to them, ideally for just one minute. You can see with my screen shot above the list of participants was impressive.

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With the picture in a minute webcast, speakers were moving fast and my note taking was not perfect, but here is what I got down – I researched as much as I could to prevent errors, my apologies if I missed anything.

The concept for the event came from a project Agnes Varda had done for French television where she did 170 episodes called “un minute for un image”.  Agnes wanted to how a single photo could impact people. Agnes felt that viewing photographs gave her space and time to think and wanted to share that with others.

Here are a selection of the presenters and their chosen photographs:

Alia Malley shared the photograph “Earth rise over the Moon” taken on 12/24/68 by Apollo 8 astronaut Bill Anders and spoke about how incredible that moment was for all of mankind and how important the image was capturing it.  She also mentioned how intriguing it is to think the camera only captured 1/250th of a second in time but how powerful that fraction of time was.

Andrea Liss highlighted Carry Mae Weems photograph “Moody Blue Girl”

Arpad Kovacs’s photograph was David O. Alekhuogie’s 2015 image “Bandana Hearts”.

 PAC LA’s Director, Bayley Mizelle, talked about Alvin Baltrip’s 1975-80 series “The Piers” documenting the gay cruising spots in New York City before the Aids epidemic.

Cesar Rueda showcased a photograph by Magnum’s Yael Martinez.

Paula Ely shared Vik Muniz’s “Ecstasy of St. Theresa after Benini” 2015

Clare Kunny and her husband Colin Westerbeck spoke about a photograph in their personal collection which is a dual portrait of Colin by Joel Meyerowitz.  They spoke about how the image was photographed and how special it is to them (There is more about this image below including Joel’s comments about it which I heard in a separate web cast).

Dan Solomon spoke about Deborah Turbeville’s American Vogue editorial in the 1970’s and mentioned there was a ‘sense of decay, Photos are about memories”.

Gallerist Douglas Marshall paid tribute to Lawrence McFarland, who passed this year by talking about the power of his photograph “Wheatfields Nebraska/Kansas border 1976”.

Elena Dorfman’s choice was an 1872 Eadweard Muybridge print.

LACMA’s Eve Schillo chose Yan Wang Preston’s 2017 image Egongyan Park.

Hiroshi Watanabe didn’t understand the “one-minute” aspect of the event, but he gave an interesting talk about a Robert Frank print he had owned once, “New Orleans Trolley 1955”.  Hiroshi paid $8,000 for the print in 1992 and when he decided to sell it a few years later, because it had started to fade slightly, it sold at auction for $36,800. 

Jeanne M. Connell showed a 1948 print of Solarized Calla Lillies by Carlotta Corpron.  I was not familiar with Corpron, who a teacher at Denton College in Texas, but this image was beautiful.

Jo Ann Callis shared Daido Moriyama’s famous 1971 photograph “Stray Dog”.

Rebecca Senf chose a photograph by Ansel Adams which was printed early in his career, a 1927 print of Mount Galen Clark.  I found her selection interesting because I have seen exhibitions of Adams’s photographs where multiple prints of the same image, from different stages in Adams’s career, are hung together to show the evolution of his technique.  I also found it interesting to see which Adams image Becky chose since she has expert knowledge of most all his work.

Robert Berman selected a Julian Wasser image that I know and like of Duchamp playing chess with a nude model. I did a blog post earlier this year when Wasser passed away. I have seen video of Wasser talking about his life and photography before, he definitely lived life to the fullest and made some great images. I also liked the fact this particular image was made in Pasadena, California in 1963, because I was born there that year.

Former gallerist Stephen White shared a Bill Brandt nude.

Virginia Heckert, who is the curator of photographs at the J. Paul Getty Museum talked about Shigemi Uyeda’s 1925 photograph “Reflections on the Oil Ditch” from their collection.

Michael Hawley, Chairperson of the Getty Photographs Council, chose a Graciela Iturbide photograph, titled “Angelita” 1979.  Listening to Hawley, he obviously has great insight into the medium and he said a couple good things worth sharing: “The art of photography are pictures that offer more questions than answers” and he reminded people to get to know their artists who are still here.

Long time Los Angeles gallerist Paul Kopeikin shared a vernacular photograph of a cowboy and a girl from his collection and spoke to how anyone can collect photographs which I thought this picture was an awesome share.  Paul’s words reminded me of some of Bill Jay’s lessons on the value of a photograph back when I was studying at Arizona State.

I am thankful the Photographic Arts Council - Los Angeles put this event on, it had a lot of value.

Darius Himes - Christie’s

Interviewing Joel Meyerowitz along with Alejandro Cartagena

The final live webcast I saw was Darius Himes and Alejandro Cartagena interviewing Joel Meyerowitz about his recent venture into the NFT market. I follow Joel on Instagram and got notification that the live video was starting, and at that time I was able to watch it. Alejandro is an artist in his own right, but he is collaborating with Joel, helping his go through his massive archive to find images from the past. Darius is the International Head of Photographs for Christie's. The conversation between these three was interesting enough but then Alejandro brought up the fact he had participated in the Photographic Arts Council - Los Angeles’s A Picture a Minute and mentioned one of Joel’s photographs had been featured in the event. The photograph was a dual portrait of Colin Westerbeck, one image in the morning and the second image in the afternoon in his apartment, I believe in Chicago. In the pre-digital age, it was a slightly complex image to compose so the frame edges lined up correctly. During the PAC LA event Colin and his wife, Clare Kunny, spoke about the print which still hangs in their house and how important it is to them because of their relationship with Joel. When Alejandro brought it up in this webcast Joel then talked about his photographic process for the image. It was fascinating hearing the perspectives from the three people involved in making the image. Colin is the former Curator of Photographs at the Art Institute of Chicago and an educator. Clare Kunny specializes in education programs within the museum environment. Colin and Clare have lived in Los Angeles for some time now. Joel Meyerowitz is another photography icon that is always worth listening to. He is one of the best image makers of all time and has such incredible energy.

There is so much content online now and it’s hard to navigate through it all, but when you do you often find some amazing content. Hopefully you will find the time to explore some of the links I have shared here.

In Photography, webcasts Tags Darius Himes, Alejandro Cartagena, Clare Kunny, Colin Westerbeck, Joel Meyerowitz, Photographic Arts Council - Los Angeles, Picture a Minute, @beckysenfccp, @joel_meyerowitz, @alexcartagenamex, @fellowship.xyz, #photography, The Center for Creative Photography, The Art Institute of Chicago, Virginia Heckert, J.Paul Getty, J. Paul Getty, Stephen White, Bill Brandt, Julian Wasser, Robert Berman Gallery, Daido Moriyama, Robert Frank, Lawrence McFarland, Elena Dorfman, Eve Schillo, LACMA, Yan Wang Preston, Marshall Gallery, Deborah Tuberville, Cesar Rueda, Bayley Mizelle, Alvin Baltrip, Arpad Kovac, Andrea Liss, Carry Mae Weems, David O. Alekhuogie, @dariushimes, @ joel_meyerowitz, Paula Ely
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Photo Forward - Los Angeles

February 20, 2023

Photo LA has been a long-standing favorite event of mine where galleries from all over the world come together in February, in Los Angeles (Santa Monica usually) and take over a large space and have a photographic art fair for the weekend. It began thirty years ago and unfortunately hasn’t had a full event since 2020 right before the pandemic hit. Thankfully the Photographic Arts Council Los Angeles made the effort to keep it going this year, along with James Danziger who hosted the event, to bring in a dozen top gallerists this past weekend for a scaled-down version of the fair. Danziger Gallery Los Angeles was the perfect host venue and the event seemed to be very well received. I went up yesterday and saw some great images, had some solid conversations, and added three more books to my library. I heard that Saturday was absolutely packed with visitors at Bergamot Station, which is fantastic for our local photo community. Sunday had the perfect sized crowd, enough people so every gallerist was always interacting with someone but with enough room and time to inspect work without feeling rushed.

Danziger Gallery - Photo Forward Los Angeles 2023

Joseph Bellow Gallery

It was good seeing Joseph Bellows again and the selection of work he brought up from La Jolla. I was excited to see that he was showcasing Ave Pidas’s Star Struck limited edition portfolio as well as some of his vintage prints. This was my first opportunity to see some of Ave’s original prints. I purchased a signed copy of a place in the sun - photographs of los angeles by John Humble. This 2007 book was published by The Getty to accompany his exhibition at the museum. It is so well done, and I really like Humble’s photographs. Bellows also had a stack of Humble’s photographs on site which were beautiful, and I thought they were reasonably priced. Some prints were vintage, and others were modern digital prints. I really like John Humble’s photographs and encourage you to get to know his work.

View fullsize Ave Pildas's Star Struck limited edition portfolio
Ave Pildas's Star Struck limited edition portfolio
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Joseph Bellows Gallery
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John Humble's prints
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John Humble
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Aperture

I have been wanting to add Stephen Shore’s Uncommon Places, published by Aperture, to my library for a while. I think I was at the MFA in Boston the last time I saw a copy of it, and I didn’t want to deal with lugging it home then (I had already bought a few other books on that trip). So, when I saw a copy on the Aperture table, I decided to buy it. That’s when I met Kellie McLaughlin, Aperture’s Chief Marketing and Sales Officer. Kellie was so engaging and enthusiastically pointed out how the other Stephen Shore book they had, Selected Works 1973-1981 was a perfect complement to Uncommon Places and how it was unique in its own right. I love meeting people like Kellie who understand the medium of photography and are passionate about it. Kellie made me an offer that I couldn't refuse, and I ended up with both books. I did put one condition on the sale that she introduce me to Sarah Meister, Aperture's Executive Director and former MoMA curator, who I had seen talking to James Danziger in his office. Meeting someone like Sarah was amazing, she was so gracious and I’m still excited about the introduction.

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Uncommon Places
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Stephen Shore
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Selected Works 1973-1981

Danziger

For this event James Danziger gave most of his 4,000 sq ft gallery space to other exhibitors and showcased his holdings in his private office, which was open to the public. I was in there looking at photographs when I realized Sarah Meister had come in from NYC for the show because I recognized her talking to James. It was interesting to see the selection of work James had up in his office for this event. Over his desk was a large Tod Papageorge photograph from The Beaches exhibition they showcased last year. There were O. Winston Link prints, and fittingly a famous Julian Wasser print. All the prints were amazing, as I expected they would be.

James Danziger’s Office. Sarah Meister speaking with James and another person.

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Etherton Gallery

Terry Etherton brought some amazing pieces including a portfolio of The Bikeriders by Danny Lyons.

Skidmore Contemporary Art

Every time I go to Danzinger I stop in to Skidmore Contemporary Art to check out their latest exhibition. Skidmore shows a lot of photo-realism paintings which is I really like; I know that’s shocking being that I am a documentary photographer. Below is the is the work that stood out to me. Eric Nash’s A Pool in Hills is epic Los Angeles, love it.

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Andy Burgess
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Eric Nash
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Eric Nash
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Eric Nash
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Eric Nash
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Michael Ward

While at Bergamot I also stopped in to check out Robert Berman Gallery and had a great talk with Gallery Director Jason Vass. Berman’s current exhibition Focus on Women in Photography runs through March 14, 2023. It showcases over forty different female photographers. I immediately noticed two recent photographs from Los Angeles that I had never seen before. The photographs were by Rezeta Veliu who I had not even heard of. Jason explained how Rezeta’s husband was successful in the entertainment industry and was a big part of why she was in the area. To prepare for writing this post I researched more about Veliu. She was born in Kosovo in 1999 and came to New York city basically as a refugee in 2013. She married Rich Cook in 2020 and they have already started their family. Cook is a producer and co-founder of Range Media Partners. Veliu is also an actress and I assume a model; she is absolutely stunning.

Rezeta Veliu - Born and Raised -Los Angeles 2022

What impressed me most about Rezeta Veliu’s photographs is she is willing to go to hard areas to photograph. She takes her camera in to areas like Venice, Compton, and other rougher parts of Los Angeles and she gets among the people and photographs. I can tell by the images she often uses a wide angle lens and her subjects know she is photographing them. I respect that so much. Few things bother me as much as photographers who use a telephoto lens from safe locations and lay claim to being a street photographer. There is a time and place for both long and short lenses but to be a good street photographer you have to move amongst people sometimes. I spent time looking at Veliu’s work and saw a lot of good images. I also saw a photographer who is still emerging and needs to continue to hone her craft. She speaks of documenting Los Angeles extensively by visiting 43 different areas of the city over 6 months. I have been photographing in Los Angeles for 40 years and I still feel like I am just scratching the surface when it comes to documenting Southern California. Six months in LA is nothing, it is probably one of the hardest cities in the world to photograph because it is so big and diverse. Someone could get a good portfolio to document a small area, like say just Venice or just Malibu in six months but for Veliu to claim she documented that much in such little time shows Veliu still has a lot to learn. She also tells us she shoots on film and her prints are on “cotton paper”. Why? and can she tell me more? I have exposed, and processed, a few thousand rolls of film in my life. I used film because that was the best medium at the time, with today’s technology if someone is photographing on film, they should have a real reason other than it is hip. There are so many plus ins available for Photo Shop that most any analogue look is quickly obtainable in a digital image file now. I also don’t know what “cotton paper” means. Say what brand paper you print on, so the buyer knows the archival value. Some of her prints can also be better, some are flat and lack shadow detail. Veliu still has to learn more about the craft of Photography, but with her connection to the entertainment industry here in LA, and her marketability as a person, I expect her work to take off and her photography to become very well known. Veliu’s work is worth getting to know and she is a young photographer worth following.

List of Photo Forward Participants & Links:

Aperture

Joseph Bellows Gallery

Stephen Bulger Gallery

Danziger Gallery

Etherton Gallery

Paul M. Hertzmann Inc.

The Hulett Collection

jdc Fine Art

MacIntosh Collection

Minor Matters

Scott Nichols Gallery

Andrew Smith Gallery

In Art Collection, Galleries, Photography, Photography Books, Photography Collector Tags Photo LA, Photo Forward Los Angeles, Bergamot Station Arts Center, Aperture, Joseph Bellows Gallery, Stephen Bulger Galler, Etherton Gallery, Terry Etherton, Paul M. Hertzmann Inc., The Hulett Collection, jdc Fine Art, McIntosh Collection, Minor Matters, Scott Nichols Gallery, Andrew Smith Gallery, Robert Berman Gallery, Jason Vass, Rezeta Veliu, Skidmore Contemporary Art, Eric Nash, Andy Burgess, Sarah Meister, Kellie McLaughlin, John Humble, Steven Shore, The Getty Museum, Tod Papageorge, O. Winston Link, Danziger Gallery, James Danziger
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