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William Karl Valentine

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CHI DSC_6274_ 03-26-2024 - Laureen V. Connelly with her Cook County Assessor’s Office Certificate of Retirement plaque documenting 25 years of service.

Chicago Photographs - March 2024

June 21, 2024

Both of my kids played travel ice hockey growing up. It was time consuming and expensive, but it was some of the best times of our lives. A nice biproduct of them playing was I got back to the East Coast a lot and was able to photograph and see lots of amazing exhibitions. My daughter now lives in Chicago after getting her master’s degree from Northwestern and she started playing hockey again last year with joining a women’s league. When her team qualified for the payoffs, she told me that I needed to come back to see her play again. The last time I had been in Chicago was March of 2020 when I was driving across country with her brother trying to outrun the pandemic shutdown of the country. I acknowledged I was long overdue to visit so I agreed to a long weekend. The playoffs were up near Madison, Wisconsin but I was able to bookend days around the tournament to get three days to photograph in Chicago, museum hop, and eat at my favorite restaurants.

Chicago has been my favorite city to visit since I first went there in 1987 to photograph Wrigley Field, before they installed the light. I have been to Chicago at least twenty-five now. Chicago became our go to vacation spot, it was an easy flight, there was lots to do, and we just liked the city. Chicago had everything a big city should have but there is a Midwest atmosphere which is just nice. It is an amazing sports town, the museums are amazing, and the city has the best steaks of anywhere in the world.

Photographing on the street in Chicago is amazing I always find good images there. Like in New York there are usually lots of people walking about the city and there is plenty of interaction which usually adds layers of meaning to an image. I have also found that most of the time I have been in Chicago the quality of light in Chicago has been outstanding, which is not the case other places. I think part of it has to do with the way the streets are laid out, there is more room between the buildings there than most cities. I think part of that is by design since architectural design is so important in the city and there may have been a conscious plan to allow some buildings to have room around them to be showcased. The Chicago River and lake front also allow more light to fall in the city. The beauty of the architecture in Chicago is also lends itself to more interesting backgrounds of images. I also think the way some of the buildings are constructed that they improve the bounce light. The city also has that Midwest atmosphere most places which is nice. Michigan Avenue is a wide street with wide sidewalks and planter boxes; the street was designed for shoppers and heavy pedestrian traffic. With Michigan Avenue’s sidewalks being so wide not only does that allow more light into the area but it also has always given me room to maneuver and get in position to frame my images better than anywhere else. I have become so familiar and comfortable with the city I always do well with a camera there.

It was amazing on this trip in March how quickly I was back in the zone while photographing on the street. At times it felt like images were coming to me and I wasn’t having to search as hard as I do in Los Angeles sometimes. I especially found that interesting because I spent more time on this trip than ever before photographing South of the river, especially around Daly Square where I don’t usually go.

My Chicago portfolio is special to me, and I envision having an impact on others in book form and as part of a permanent collection. The Chicago Historical Society already has some of my photographs in their collection and hopefully I can find more homes in the city for my work soon.

This trip also inspired me to start digitizing more Chicago negatives and I have added some of those recently scanned images to my Chicago Portfolio here on my website.

Below are some of the images from my March 2024 trip:

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In Artist, Photographer, Photography, Street Photography Tags Chicago, The Art Institute of Chicago, William Karl Valentine
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CHI DSC 3029 3-22-24 “Untitled” (Wells & Wacher, Chicago)

Chicago Photograph brings back memories of 25 years ago

June 21, 2024

When I got back from Chicago in March and started going through all my images I came across this photograph above. At first glance I saw how the elements in the frame were interesting, and I understood how I was drawn to make the exposure. But when I zoomed in, I immediately realized that the little girl in the stroller looked so similar to my daughter Alyssa at that age and that reminded me how often we used to take her to Chicago for vacations. The little girl in the stroller is so alert to the world around her just like Alyssa was at that age. I am assuming it was seeing the stuffed animal in the girl’s arm that really made the connection. The girl is clutching it in such a protective way, you know how special the toy is for her. My daughter was exactly the same way, and that period of innocence was so wonderful. The image brought to mind how much a parent tries and protect their children when they are young and also how in today’s society I still worry about my adult children’s safety as crime and world tensions rise. Viewing this image became an incredibly intense experience rather quickly as I realized everything I just mentioned, and I was not expecting that. The experience motivated me to revisit my negatives and see what images I had of Alyssa when we would take her Chicago when she was young. Below is one of my Chicago photographs from 25 years ago when Alyssa two years old.

CHI-171 #29 5-03-99 - Alyssa Valentine at the Hancock Tower

I don’t know if there is too much more to say about these images or the recent experience. I don’t want to make it into something more than it is, but I thought there was value in sharing how I felt with people interested in my work or just interested a photographer’s process. I think it not only gives insight to the fact I am an admitted romantic, but it also highlights how a photograph can evoke strong emotions from the image maker even when that was not the original intent. I know everyone brings their own experiences with them when they view an image and that people often have different responses to images based on their own prior experiences. I also want to point out that images can become more important overtime and develop new layers of meaning particularly if public opinion of the subject matter changes or if the subject matter documents change in and of itself. Viewers opinions can also change over time as they have different experiences with the same image. These are all some of the reasons why I don’t delete image files or purge old negatives.

In Artist, Street Photography, Photographer, Photography Tags Looking at Photographs, Chicago, Street Photography, Power of Photography, Photography, Photographer, Daughters, Alyssa Valentine
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CHI DSC_6274_ 03-26-2024 - Laureen V. Connelly with her Cook County Assessor’s Office Certificate of Retirement plaque documenting 25 years of service.

Nikon Z6ii with a 24-120mm lens - Ms Connelly with her Retirement plaque

June 21, 2024

This photograph is another one from my Chicago trip that took on more so much more meaning once I got home and started going through the editing process. I am sure the faces, the contrast, and the forms all drew my intention when I made this exposure. I almost overlooked it until I zoomed in on the plaque that the woman was carrying and realized it was tack sharp and I could read what it said. The plaque is from the Cook County Assessor’s Office and was recognizing her retirement after 25 years of service, I could also read her name, Laureen V. Connelly. Being a block away from the Cook County Building I assume that this woman was coming from her old office where she had just had a retirement lunch, or reception, and they presented her with this plaque. I have no idea who the woman with here is, but I would guess it might be a daughter or even a former coworker that is a close friend.

With the information in the image, and some reasonable assumptions this image now has become pretty powerful. Laureen and the woman with her look rather solemn, like there might be a lot of reflection and thought going on. I can envision Laureen having the realization of the change in her life might be pretty intense. I assume she had a cubicle type job where she pushed a lot of paper and with it being the Assessor’s Office some of the citizens she interacted with daily might not have been in the best moods. But I can also imagine she took pride in her work and liked some of her coworkers. Change is not always easy and after 25 years to walk out of the office for the last time with just a pension and a basic plaque might be a little tough. The person with Laureen seems to be there in a supportive role. We can all imagine our own scenario of details with this image, and it doesn’t matter who is the most accurate. What is important here is the fact this person spent 25 years doing a job and is walking away with a basic plaque. Does this plaque really sum up her career? It lends the viewer to reflect on their own career and the real impact it is having on themself, on others, and society. This image allows the viewer to run with it. For me when I saw this, I reflected back on my law enforcement career and how it didn’t end on my terms because of an injury. The sudden change was not easy and luckily for me I had my family and my photography career to fill some of the void.

Between the two version I think the black and white image works best because I find the colors in the frame don’t add anything to the image and the monochrome version seems to be more appropriate for my interpretation of the mood. I just wanted to share both versions here so every viewer could have their own experience with the image.

This image is also a great example of how sharp the Nikkor 24-120mm Z lens is and how well it works with a Nikon Z6ii camera body; the autofocus capability is outstanding. UPDATE!!! Nikon Z6iii is out, and Preorders are being accepted at Samys Camera, with expected June 25th availability.

CHI DSC_6274_ 03-26-2024 - Black and White version

In Street Photography, Photographer, Photography, Camera Equipment Tags William Karl Valentine, Chicago, Nikon Z6 ii, 24-120 mm Nikkor Z lens, Street Photography
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Unfortunately the Iconic exhibition at The Art Institute of Chicago closed just after I saw it but for those who missed it hopefully this post will help you appreciate how good it was.

PHOTOGRAPHY + PHOTOGRAPHY Iconic: Photographs from the Robin and Sandy Stuart Collection

August 18, 2019
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As a photographer there is always value in looking at prints by the Masters in the history of photography. Especially prints such as these in this exhibition which truly all are Iconic images. Garry Winogrand is my favorite photographer, I take every chance I can to see his prints and I am glad he was included. Weston was such a master printer, for me seeing his work is a spiritual experience. I remember being at one of the first Photo LA events (around 1993?) and picking up a Weston print of a pepper which was sitting in an open bin with other prints (all were matted). At the time it was a $5,000 print, and it was so powerful to look at every detail of the image and realize Weston also did the same thing when he made this print. I liked both Weston prints in this exhibition and was again in awe of his printing with the Charis Wilson - Nude on Sand print. I recognized every image in this exhibition and appreciated all the information each accompanying title card had about the image. This exhibition was well curated and one thing I really liked was that everyone who saw the exhibition probably came away with some new knowledge about photography, I know I did. The images were somewhat eclectic but their stories were all so unique that they became very concise when displayed together.

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Rich and Poor by Jim Goldberg 1978-1983 (printed 1984) 30 images

I was sitting in Bill Jay’s class at Arizona State University when I first saw Jim Goldberg’s series Rich and Poor. It was probably 1986 just after the series came out. It was powerful and to this day I still remember some of the saw there, most notably the photograph of Larry J. Benko and his son where Larry described himself to be too “rough” of a father for his son David who he called “Fragile”. Today, as I was then, I am amazed of how Jim Goldberg was first able to get people to pose for portraits in the privacy of their homes but then how he was able to get these people to open up so much and be completely transparent about their lives and their opinions of themselves. This series is a fantastic document, it powerful, and it truly is thought provoking. Combining text on prints is also not as simple as it seems. While at ASU I remember several classmates and a professor trying to produce bodies of work in that style, obviously emulating Goldberg’s work, and they didn’t work. The series Rich and Poor allows the viewer to seriously consider what really is valuable in life. I have had the book in my collection for a long time and seeing this has inspired me to revisit it. The images, and text, are truly powerful both individually and as a group. I thought the decision to display the prints on walls of a entry hallway for the museum was brilliant. The prints weren’t tucked back in a gallery room but they were right out there in the open for everyone who passed by to stop and see. Much like the people in the photographs who were allowing their own stories to be told, they were putting themselves out there for everyone to see. Once again another good photography exhibition at The Art Institute of Chicago.

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Tags The Art Institute of Chicago, Garry Winogrand, Edward Weston, Dorthea Lange, Margaret Bourke White, Iconic, Chicago, Robin and Sandy Stewart Collection, William Karl Valentine, Jim Goldberg
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Postcommodity: With Each Incentive at The Art Institute of Chicago

August 18, 2019

With Each Incentive is an installation at The Art Institute of Chicago on view now through April 26th, 2020. It is located on the Bluhm Family Terrace near the cafe and I saw it on my last visit. I definitely found it visually interesting, especially in contrast to the Chicago skyline. The architecture in Chicago is amazing so I could see this artwork in contrast to the beauty of the skyline just based on the simplicity of the concrete blocks and rebar compared to the skyscrapers. Then I read the artist statement about the work…

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I didn’t see all that meaning which is attributed to the work in the statement when I was there and after reading, then contemplating, the description on line after, I still don’t see it. The statement makes some impressive claims how these artists are “aggressively tackling some of the most pressing issues of the day” and that this installation “contemplates how Chicago might be transformed by the current wave of Indigenous American refugees from Mexico and Central and South America.” I’m sorry but I don’t see it, and if anything interpreting the statement and applying it to the installation for me it feels like a negative statement against lower construction standards in Mexico and countries in Central and South America.

But here is the good thing about art, everyone can have their own opinion about things. If someone else were to feel every claim of the statement while experiencing this installation great. Also just because I don’t see the installation living up to everything billed in the statement, I still thought the contrast with the skyline was interesting. Everyone brings something different with them when they go to the museum and all experiences can not, or should, be equal.

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Tags Postcommodity, Cristobal Martinez, Kade L. Twist, With Each Incentive, Chicago, The Art Institute of Chicago
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CHI-DSC 5897  4-20-17

Street Photography

May 4, 2017

© 2017 WILLIAM KARL VALENTINE "Untitled"  CHI-DSC 58974-20-17

I follow Street Photography International on Instagram, I follow numerous photography related accounts.  Today they posted a posed portrait, I think it was a self portrait, of a woman's reflection in a rain drop covered window.  It was a fine image, it got tons of "Likes" and emoji's,  but it was not "Street Photography".  I commented on the image, questioning if it was "Street Photography" and the photographer replied that it was because there was a street in the reflection... I chose not to continue my point there because I did not want a reply war on Instagram, opting to share my opinions here on my blog instead.

Doing a quick on line search this is one of the first definitions of Street Photography that I found: Street photography is a type of documentary photography that features subjects in candid situations within public places such as streets, parks, beaches, malls, political conventions and other settings.  The basic concepts are the images are candid ( usually not posed ) and they document something.  Yes I know every photograph documents something by the nature of the medium , but in this case I think good "Street Photography" documents the moment and has layers with deeper meaning created by the interaction of the different elements within the image.  I am a Documentary Photographer, some of my images are "Street Photography" other images are just documentary in nature.  Image quality is more important than a label.

I have seen a fair number of other images lately that people try to label as "Street Photography" and the images just are not, they are not candid nor documentary, and often they are not good.  I think some people like the concept of Street Photography and adopt the label without knowing what is and what isn't Street Photography. 

Above is one of my images from Chicago a couple weeks ago.  I think this is a decent example of "Street Photography".  I made the photograph while actually walking down the street, it's candid, it documents how these people looked on this date, plus the way the little girl is looking at the man begging while her mother is looking away adds that deeper layer of value for the viewer.

For those wanting a better understanding of Street Photography look for "Streetwise" published by Modernbook in 2010 which accompanied a MOPA exhibition on Street Photography curated by Deborah Klochko, its is a good definition of Street Photography.  Garry Winogrand, Robert Frank, Danny Lyon, Bruce Davidson, and Lee Friedlander are Street Photography legends, look up their images.   I do think is worth noting though, that I have seen a video interview of Winogrand where he ripped the term "Street Photography" and wanted nothing to do with it.  That's why I will stick with the label "Documentary Photographer" and leave it at that.

Tags William Karl Valentine, Chicago, Street Photography, MOPA, Deborah Klochko, Modernbook
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